Was a product of the invasion of Alexandria in Egypt, "332 BC. M" and its occupation and the subordination of Egypt under the rule of the Greeks and Romans significant impact in a change in ancient Egyptian art
He carried the Greeks and Romans with them to Egypt, their art, "Hellenistic" their own, which was the basis of Greek art and with their arrival to Egypt with ancient civilization, art distinctive in all fields, whether sculpture or mural painting or even a small arts of jewelry, tools, furniture, etc., we find them may Behrhm this art ancient upscale and began to emulate this art and the creation of intentional mixing between Greek art and Greek and Egyptian art this is demonstrated especially in sculpture and architecture, especially temples.
He carried the Greeks and Romans with them to Egypt, their art, "Hellenistic" their own, which was the basis of Greek art and with their arrival to Egypt with ancient civilization, art distinctive in all fields, whether sculpture or mural painting or even a small arts of jewelry, tools, furniture, etc., we find them may Behrhm this art ancient upscale and began to emulate this art and the creation of intentional mixing between Greek art and Greek and Egyptian art this is demonstrated especially in sculpture and architecture, especially temples.
Was the policy of the Greeks and the beginning of the Ptolemaic rulers, especially starting from the first Ptolemy and Queen Cleopatra and even during the Roman era also thrown this policy to get closer to the Egyptians, so as to exclude the launch of the title of their invaders. We find them eager to carve statues on the same pattern of statues of the kings of Egypt in the Pharaonic era in terms of the situation, whether standing or sitting, as well as conditions of the arms and feet and hands, contrary to the situation of statues in Greek, which was characterized by simulating nature and is not a situation the classic statues of ancient Egyptian art, although they said fingerprint-pattern is purely a capital statues , which represents the natural features of the face of kings and their hair in Greek art was the pride factor to Bakomathm keen to represent the head and the hair of their own art
, Collected these statues of ancient Egyptian art classical distinctive art and Greek as well as the keenness of the Kings to represent themselves on the walls of temples in the Greek and Romanian, this is evident in the temples of Philae and Dendera, Kom Ombo and Edfu in the form of the kings of Egypt in the Pharaonic era, with all the details of whether the conditions of physical face, shoulder and arms The hands and legs from the side and eyes forward. Also in terms of decorations and ornaments in clothes and headgear which also Mathlt crowns of kings known as the Egyptian decoration and all this in front of the same Egyptian deities such as Osiris, Isis, and Hur, and Hator and other gods
. As well as the forms of furniture, especially the throne and Mahafah used in religious rituals as well as the tools catch Kalsoljan kings and royal crests as symbols of ownership
. As well as the forms of furniture, especially the throne and Mahafah used in religious rituals as well as the tools catch Kalsoljan kings and royal crests as symbols of ownership
As well as in architecture were keen to take the same patterns of Egyptian architecture in the form of columns on the forms of lotus and papyrus and palm leaves and columns that adorned the face of the gods Hathor as well as forms of gates and decorated the upper part of the temples and is known Balavriz especially doors that decorated discs sun winged symbol of the god Ra. The new addition added by the Greeks and Romans is the Mint, which was not known in Egypt, where he is working Mkabdh in the process of buying and selling money was not known in Egypt
With the rule of the Ptolemies of Egypt, and after them the Romans, we found that they Asthaddthoa minted coin of silver or gold or bronze or nickel with pictures of their kings on the face and some royal crests, religious, and documentaries such as titles, date, though some of them dye dye Egyptian purely as forms of some religious symbols
With the rule of the Ptolemies of Egypt, and after them the Romans, we found that they Asthaddthoa minted coin of silver or gold or bronze or nickel with pictures of their kings on the face and some royal crests, religious, and documentaries such as titles, date, though some of them dye dye Egyptian purely as forms of some religious symbols
As in the field of music and singing has continued the Egyptians during the Greco and Roman Manfezan Bmosikahm and their machines music and poetry and Gnaúhm as was the case in the Pharaonic era, but we find that the Greeks and the Romans brought with them their art and their machines music of their own, although it was unlikely a mixture, even a simple between these machines, especially during ceremonies and festivals, especially in the religious holidays, which was keen Ptolemaic kings and Roman to do the same duties of kings and pharaohs to get closer to that of the Egyptians.
In the field of clothing and fabrics used the Ptolemaic and Roman fabrics plants in Egypt, especially in Upper Qeft in the production of fabrics and decorated with colorful clothes. The Egyptians keen on the use of decorative patterns and colors of clothes and that is very genuine Egyptian by the Egyptians after the embrace of Christianity and the use of the known elements of Coptic art in the decoration of these clothes.
In the field of clothing and fabrics used the Ptolemaic and Roman fabrics plants in Egypt, especially in Upper Qeft in the production of fabrics and decorated with colorful clothes. The Egyptians keen on the use of decorative patterns and colors of clothes and that is very genuine Egyptian by the Egyptians after the embrace of Christianity and the use of the known elements of Coptic art in the decoration of these clothes.
The Egyptians during the Greco-Roman adhere to their art the old Pharaonic in all fields, whether architecture or clothing or tools and other even entered Christianity to Egypt, Venbz Egyptians and Bta for this art and Asthaddthoa for themselves a new art, a so-called art, Egyptian Coptic with a pure religious nature, where such religious symbols such as grapes and leaves, baskets, crosses, and religious myths on everything, whether in capitals of columns or walls or niches for churches, monasteries and platforms and altars and doors as well as furniture, whether for churches or homes, tools of houses of all kinds, and books.
This art was characterized by clarity and simplicity together with the use of the Egyptian language, which the evolution of the line to the line where the Coptic Greek letters as an element of decoration for Coptic art.
We find in Egypt during this era what it's like two kinds of art. The first is any Egyptian Coptic art for Egyptian art to the mix of Greek and Egyptian art carries the properties of technicians.
This art was characterized by clarity and simplicity together with the use of the Egyptian language, which the evolution of the line to the line where the Coptic Greek letters as an element of decoration for Coptic art.
We find in Egypt during this era what it's like two kinds of art. The first is any Egyptian Coptic art for Egyptian art to the mix of Greek and Egyptian art carries the properties of technicians.
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